Robert S. Meloni
Mr. Meloni has practiced law internationally in the entertainment industries for over 30 years. His practice
has focused on entertainment, new media and intellectual property matters, with a concentration in intellectual property counseling
and litigation and entertainment industry business disputes. He is admitted to the New York State Bar, First Department (1981),
the United States District Courts (Southern, Eastern and Northern Districts of New York, Eastern and Western Districts of
Arkansas), the United States Court of Appeals (2nd, 6th, 8th and 9th Circuits), and the United States Supreme Court. Mr. Meloni
is a 1976 graduate of the University at Albany (magna cum laude) and a 1980 graduate of NY Law School.
Since forming Meloni & McCaffrey, Mr. Meloni has handled matters for such clients as Lana Del Rey,
Drake, LL Cool J, DJ Khaled, Eminem, Ludacris, Lil
Jon, Victory Records, Songza, Phil Spector, Chuck Berry, Action Bronson, Cee Lo, Erick Morillo, Dru Hill, John Sayles,
Pharrell Williams/Neptunes, Clipse, Talib Kweli, Q Tip, Gordon Gano/Violent Femmes, Frankie J, Herby
Azor, Violator Management, Felix the Cat Productions, Inc., Roadrunner Records/The All Blacks B.V., Clement Dodd/Studio
One, Memory Lane Music Group/Larry Spier Music, Robbins Entertainment, Quincy Jones/QD3 Entertainment, MCY Music. A representative
sample of clients also handled by Mr. Meloni include: Aretha Franklin, Estate of Fats Waller, Estate of Serge Rachmaninoff,
Kool and the Gang, United Artists Music, Estate of John Lennon, Yoko Ono, The Hit Factory, Chappell Music, Miles Davis, Important/Relativity
Records, Pat Metheny, Great Southern, Brockum, Aerosmith and Leber-Krebs Communications, Moses Znaimer, Leonard Cohen
and New Edition.
Mr. Meloni is the author of a number
of published scholarly articles on issues of copyright, internet, and music industry related topics including
- Contributor, Matthew Bender's Entertainment Industry Contracts, Music on the Internet,
Vols. 8 and 9 (2001).
Considerations for Entertainment Industry Professionals, Columbia-V.L.A. Journal of Law & the Arts,
Vol. 15, No. 3 (Spring 1991)(with co-author with M. William Krasilovsky.
- New Contract Issues in Music Video Deals, Entertainment Law & Finance, Vol. 1, No.
IV (Jan. 1986).
Law as a Protection Against Improvidence: Renewals, Reversions and Terminations, Communications and the
Law, Vol. 5, No. 4 (Fall 1983)(with co-author with M. William Krasilovsky).
- The Works Made For Hire Doctrine Under the 1976 Copyright Act, 1980 Winner (NYLS) ASCAP Nathan Burkan Memorial
to 6th Edition of the music business guide This Business of Music, by Shemel and Krasilovsky, as well as
editorial contributions for other editions.
Reported cases include:
Woodard v. Victory Records, Inc., 2016 WL
1270423 (N.D. Ill 2016) (obtained summary judgment dismissing claim under record contract for 50/50 digital download royalty
rate for digital downloads, and jury award of exclusive sound recording copyrights under short form agreement); Woodard
v. Victory Records, Inc., 2014 WL 2118799 (N.D. Ill 2014)(favorable ruling finding that attorney-client
privilege did not attach to certain documents shared by musical band with non-party John Janick); Ritchie v. Gano, 2010 WL 4970103, (S.D.N.Y. 2010) (obtained dismissal of copyright/trademark complaint and attorney's fees award); Muniz
v. Morillo, 2008 WL 4219073, (S.D.N.Y. 2008) (obtained dismissal of copyright action regarding the song "I Like To Move It"); Jackson v. Broadcast Music, Inc. 2006WL250524 (S.D.N.Y.), aff’d, 2007WL2914516
(2d Cir. 2007)(obtained dismissal of copyright claims regarding “It's a Man's Man's Man's World”);
Bucciarelli-Tieger, et al v.
Victory Records, 488 F.Supp. 702 (N.D. Ill 2007)(obtained
dismissal of claim for termination of record contract); Carroll v. Kahn, 2003 WL 22327299, 68 U.S.P.Q.2d 1357 (N.D.N.Y. 2003)(obtained dismissal of copyright claims regarding documentary
film); EMI Latin v. Bautista, 2003 WL 470333 (S.D.N.Y. Feb 24, 2003)(obtained preliminary injunction
preventing record company from interfering with artist's ability to sign new recording contract); Latture v. James Todd Smith p/k/a LL Cool J, 758 N.Y.S.2d 135 (2d Dep’t 2003)(obtained dismissal of
claims under management contract); TufAmerica, Inc. v. Roy Hammond, et al, 2002 U.S. Dist. LEXIS 9258 (S.D.N.Y. 2002)(copyright infringement); Schoenberg v. Shapolsky Publishers, Inc., 916 F. Supp. 333 (S.D.N.Y.1992)(obtained dismissal of copyright
claim); Schoenberg v. Shapolsky Publishers, Inc., 971 F.2d 926 (2d Cir. 1992) (co-counsel)(favorable ruling regarding
copyright subject matter jurisdiction); Giaimo & Vreeburg v. James Todd Smith p/k/a LL Cool J, 192 A.D.2d 41, 599 N.Y.S.2d 841 (2d Dep’t 1992) (co-counsel)(obtained dismissal of attorney's
claim under 42 U.S.C.S. § 1981); Swan v. EMI Music Publishing, Inc., 2000 WL 1528261 (S.D.N.Y. 2000)(favorable ruling regarding copyright statute of limitations defense on
behalf of heir of songwriter of Never On Sunday); Hall v. Inner City Records, 212 U.S.P.Q. (BNA) 272 (S.D.N.Y. 1980)(obtained dismissal of copyright claim based on lack of subject matter
An accomplished public speaker, Mr. Meloni has also been a frequent lecturer on copyright, new media and music industry
related topics (SxSW 2017: Moderator/Panelist Blurred Lines
- Copyright Damages Calculations; CMJ 2015 Moderator/Speaker "Blurred Lines or Fuzzy Math, Damages
Calculations in the Music Industry"; The New School, St. Johns University Law School, New York Law School, American
Conference Institute-Digital Distribution of Music). He is a Member of the Copyright Society of the USA and a former Adjunct
Professor at New York University, Department of Music and Performing Arts Professions.
Martindale-Hubbell has identified
Mr. Meloni as an "AV Preeminent™ attorney. The AV Preeminent designation signifies that Mr. Meloni’s peers
– AV-rated members of the bar and the judiciary - rank him at the highest level of professional excellence in both legal
ability & ethical standards.
Mr. Meloni was also selected
as one of the “Top 5% of lawyers in New York” Super Lawyers, top-rated New York attorneys
(Avenue Magazine’s "Legal Elite") and Top Rated Lawyers (New York Magazine,
New York Law Journal).
Copyright Society of the U.S.A.
National Academy of Recording Arts and Sciences
American Bar Association-Commercial and Federal Litigation Section, Intellectual Property Law Section, Entertainment
Media, Intellectual Property and Sports Law Section.
|Martindale-Hubbell Peer Review Rating
Thomas P. McCaffrey
Tom McCaffrey is a seasoned litigator with over 30 years experience. His practice is
also concentrated in entertainment related litigation and intellectual property matters. A graduate of
Herbert H. Lehman College of the City University of New York (B.A., magna cum laude, 1981) and Fordham University School of
Law (J.D., 1984), he is admitted to the New York State bar, First Department (1981), and the U.S. District Court for the Southern
and Eastern Districts of New York. Formerly with: Cahill Gordon & Reindel, 1984-1987; Gold, Farrell
& Marks, 1987-2000; and Jonathan D. Davis, P.C. 2000-2007.
Justin E. Ratliff
Ratliff is an associate in the law firm of Meloni & McCaffrey. A North Carolina native, Justin relocated to New
York City to pursue his dream of becoming an entertainment attorney. His practice areas include music-related litigation and
intellectual property. Mr. Ratliff is a graduate of North Carolina State University in Raleigh, NC (B.A., 2009) and
North Carolina Central University School of Law in Durham, NC (J.D., 2014). He is admitted to the New York State Bar,
First Department (2015).
Memberships & Affiliations
American Bar Association-Intellectual
Property, Criminal Justice Sections
New York County Lawyers’ Association
Omega Psi Phi Fraternity,